The Panopticon Lens: How Surveillance Aesthetics Colonized Mainstream Cinema
Something shifted in the way movies look. Sometime between the late 1990s and the present, the visual grammar of surveillance—CCTV grain, drone omniscience, screen-within-screen recursion—migrated from the margins of experimental video art into the bloodstream of mainstream filmmaking. This was not merely a stylistic choice. It was a symptom. The…